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GALLERIES:
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FOUR VISIONS IN A DIFFERENT LIGHTOctober 8, 2009 - December 18, 2010
Four Visions in a Different Light
A traveling exhibition featuring the work of fine art photographers Theresa Aiery, Susan R. Bloom, Jill Enfield and Elizabeth Opalenik.
Exhibition dates:
October 8-November 20, 2009
Carroll County Arts Council
91 Main Street, Westminster, MD 21157
(410) 848-7272 |
May 30-June 27, 2010
C. William Gilchrist Museum
104 Washington Street, Cumberland, MD 21502
(301) 724-5800 |
January 21-February 20, 2010
Umbrella Arts Gallery
317 E 9th Street, New York, NY 10003
(212) 505-1796 |
September 3-October 15, 2010
Freestyle Gallery, Creative Center for Photography
5124 Sunset Blvd., Hollywood, CA 90027
(323) 660-3460 |
March 24-April 29, 2010
Center for the Arts
9419 Battle Street, Manassas, VA 20110
(703) 330-2787 |
November 5-December 18, 2010
Tilt Gallery
919 W Fillmore Street, Phoenix, AZ 85007 |
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FOUR VISIONS: ONE DAY WORKSHOPJanuary 30, 2010 - January 30, 2010
A one day workshop with fine art photographers Theresa Aiery and Susan R. Bloom, as part of the Four Visions in a Different Light traveling exhibition.
January 30, 2010
10:00 am-5:00 pm
Umbrella Arts Gallery
317 E 9th Street, New York, NY 10003
(212) 505-1796
http://www.umbrellaarts.com/ |
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COSMOS CLUB ARTIST LECTUREMarch 9, 2010 - March 9, 2010
A talk with fine art photographer Jill Enfield at the Cosmos Club, a private social club in Washington, D.C.
March 9, 2010
6:00 pm
The Cosmos Club
2121 Massachusetts Avenue Northwest, Washington, DC 20008
(202) 387-7783
http://www.cosmostclub.org/ |
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FOUR VISIONS: TWO DAY WORKSHOPMarch 27, 2010 - March 28, 2010
A two day workshop with fine art photographers Theresa Aiery, Susan R. Bloom, Jill Enfield, and Elizabeth Opalenik as part of the Four Visions in a Different Light traveling exhibition.
9:00am-4:30pm
Center for the Arts
9419 Battle Street, Manassas, VA 20110
(703) 330-2787
http://www.umbrellaarts.com/ |
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MODERN DRY PLATE TINTYPE WORKSHOPJune 6, 2010 - June 11, 2010
Join Jill Enfield for this exciting exploration of modern tintypes and how to convert old ‘Brownie’ cameras to use for the tintype process! We’ll spend the first part of the day converting cameras, learning about tintypes (modern and traditional) and making plates in the darkroom. These plates, unlike the wet collodion tintype process, can be taken on location and used in the field far from a darkroom. Modern tintypes are very similar to the historic dry plate process; a short-lived process introduced by Kodak in the late 1800s as a convenient alternative to wet plate photography.
These days you can do wet plate - which means you need a darkroom with you! - or dry plate in which you use liquid emulsion to coat and prepare plates ahead of time, use them on location, and return to the darkroom for development.
We will coat our plates and then go on location in the beautiful Montana surroundings and return to the darkroom to develop.
Photographer’s Formulary
7079 Mt. Highway 83
Condon, MT
(800) 922-5255
http://www.photoformulary.com/DesktopDefault.aspx
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NORWAY WET COLLODION WORKSHOPJune 24, 2010 - June 29, 2010
A six day wet collodion workshop. Learn to make ambrotypes and tintypes using the 1860's wet collodion technique. This process involves the hand-pouring of chemicals onto glass to produce positives or negatives or aluminum for tintypes (positives) while the plates are still wet. The workshop will cover the basics from cutting the glass/aluminum to finishing the plates and learning how to mix and handle the chemicals safely. Jill will bring her portable darkroom so that the class can move around the Skrova area and shoot landscapes as well as still lives. While large format and Brownie cameras will be provided, check on your shelves and bring whatever you find.
To get to Skrova, students will fly to Bodø and take a three hour boat trip through the amazing landscape of some of the most beautiful parts of Norway. The workshop center in Skrova has two fully equipped studios, a darkroom, a printing lab, and two classrooms, one of which is equipped with a projector, and one which will be used as the gallery where we will have the final exhibition of the students' work. The center also has a restaurant where all meals will be served throughout the course of the workshop. Students will be staying in local houses for a fee that includes room and board.
The Workshop Center in Skrova, Norway
For more information regarding travel or fees contact post@nordphotography.com
http://www.nordphotography.com/
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ANDERSON RANCH WORKSHOPJuly 11, 2010 - July 17, 2010
Alternative Processes in the Digital Age, a workshop at Anderson Ranch Arts Center. Early photographic processes present a compelling alternative to silver and digital prints. Using only fine quality paper, hand-applied emulsion and simple technology, learn to prepare paper and digital negatives for printing with cyanotype, Van Dyke Brown and kallitype. We work with digital negatives on ink press transparency media along with paper negatives, cyanotypes, Van Dyke Brown prints and kallitypes. We use Adobe Photoshop software and digital printers. The workshop consists of morning demonstrations and afternoon studio work sessions each day to allow students to work with all processes.
5263 Owl Creek Road
Snowmass Village, CO 81615
(970) 923-3181
http://www.andersonranch.org
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SANTA FE WET COLLODION WORKSHOPJuly 25, 2010 - July 31, 2010
This year Jill will be teaching with France Scully Osterman for a two for one wet collodion experience.
50 Mt Carmel Road
Santa Fe, NM 87505(505) 983-1400
http://www.santafeworkshops.com |
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MAINE WET COLLODION WORKSHOPAugust 8, 2010 - August 14, 2010
A seven day wet collodion workshop. In this workshop, students learn how to make ambrotypes (glass plates) and tintypes using the 1860's wet collodion technique. This process involves the hand-pouring of chemicals onto glass to produce positives or onto negatives or aluminum for tintypes (positives) while the plates are still wet. The course covers the basics from cutting the glass/aluminum to finishing the plates and learning how to mix and handle the chemicals safely. Using Jill's portable darkroom, the class shoots landscapes as well as still lifes around the Rockport area. While large format and Brownie cameras are available for use during the workshop, students are encouraged to bring their own large format or antique cameras.
August 8-14, 2010
Maine Media Workshop
Rockport, Maine 04856
(877) 577-7700
http://www.theworkshops.com/workshops |
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